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  • Impeccable

    There was something, Something in my eyes, that did not die. Closed in avalanches; but did not cry. I wrote prose, In the heart of the beast. Hoping it adheres to the wisdom of a priest.

  • విశ్రాంతి

    ఆకృతి లేకుండా ప్రతీ అచ్చు ఈ మట్టిని ఆధారం చేసుకుంటుంది తెరచాటు పుడమిలో మిళితమైన పదార్థాల గుట్టు, కళంకం అంటని పరిశీలించే కంటికి కాక మరెవరికి తేటపడును...? మనోహర్ కోవిరి ఫోటో తీశారు పుట్టుక ఎన్నేన్నో పొరలు చాటున ఎవరికి వారికి తమతోనే పూర్తి పరిచయం తెలియక సాగిపోతుంటుంది హృదయం నిన్ను కన్నప్పుడు అక్కరకు రాని ప్రతీ రాయి తొలగిపోయి లోలోపల వెలికితీసి విలువనిస్తుంది సుఖాలు, వేదనలు మరెన్నో భావాల మధ్య నీనుండి నన్ను వేరుపరచి అధికారం కోసం ఊగిసలాడుతూ దాసుని కమ్మంటుంటాయి ఈ బ్రతుకు కాలంలో కలిసినప్పుడు విశ్రాంతి వాటికి బదులిస్తుంది బృందం ఈ పుస్తకాన్ని మిరియాల సుధాకర్ రాసినది , హర్ష మోదుకూరి  సమీక్షించారు, మధూలిక ఆచంట  సంపాదకత్వం వహించారు మరియు మనోహర్ కోవిరి  ఫోటో తీశారు.

  • Ritu’s Favourite Teddy

    I woke up as my smartwatch vibrated indicating the alarm. I tried double tapping it in an attempt to turn it off but my effort didn’t pay back. Giving up, I woke up and sleepwalked to the window near my bed. The sound of water dripping from clouds felt refreshing as the cold breeze tickled me. I wished it was the weekend today so that I could stay back and enjoy these little pleasures; the earthy smell of rain, the rhythmic pitter-patters with a cup of hot coffee.  Cover Photo by Ravindra Patoju Like a rejection of my wish, a sudden shrill of Rihanna’s ‘Work’ came from my phone. Peering towards the phone, I hesitantly picked up Arun’s wake-up call. “You woke up buddy?” he asked. While I replied, “Yes.” He continued, “Okay, start early then! It’s raining and you could get late due to a surge in traffic. See you at the office.” Before I could even respond, he had hung up. I quickly rushed to the main door only to realize that the road in front of our porch is fully covered with water. I collected the newspaper which was dropped outside the main door and rushed to the kitchen to prepare breakfast. The kitchen was all messy with a lot of unwashed utensils in the sink. I cursed myself for skipping the task of cleaning the dishes last night. Letting them wait a little while longer, I went to Ritu’s room to check if she had woken up.  As soon as I entered her room, I could see her sleeping with her curly hair loose in her minion-printed night suit while holding her new teddy bear. Looking around, I could see all her toys and Peppa Pig books lying on the floor.  After arranging all of her books in a two feet height rack and placing her toys in the mesh-hanger, I could see the Sun paying a visit after the early morning showers. In an attempt to not let the rays disturb Ritu, I closed the curtains in her room.  Though I hoped to not make noise, to my disappointment as soon as I turned around after closing the curtain, I could see Ritu sitting on her bed, with a puzzled expression. Taking her in my arms, I asked while caressing her forehead, “Why did my Ritu wake up early today?” She closed her eyes and placed her head on my shoulder. There was no reply and I was concerned. Her gloomy face said something was wrong and as usual, I took her to the garden in the backyard where she spent most of her time playing; with the hope that it might boost her mood.  As we stepped out to walk into the wet garden, Ritu turned to me before saying, “Momma, I saw...” Holding her face between my hands, I curiously asked, “My sweetling, what is it?” As I felt her cold face, Ritu replied, “I saw Papa but when I opened my eyes, he was not by my side. Why is he not beside me?” While I was bereft of speech, she said, “I am bored without him.” It was just a week ago that her dad had left for his onsite project and Ritu was already missing him. I cursed myself for insisting that he signed the new project agreement. Had I anticipated the impact it would have on our baby girl, I wouldn’t have. I walked back into the home to video-call him even though he would have already slept.  I wish the next few weeks roll by soon and Ritu hugs her favourite teddy as soon as possible. Credits This contribution was written by Maneeha Pujari , edited by R. K. Chamarla , & Sreekar Ayyagari & photographed by Ravindra Patoju .

  • Mr P

    Mr P woke up surprised listening to the nine o’clock bell from the college clock. As always, his roommate had already left. It didn’t matter which day it was, his roommate would leave without bothering to wake him up. Once, Mr P even missed a quiz depending on him. Neither could Mr P blame him nor could he find another roommate considering how everyone hated his hygiene. Getting down from his untidy bed, Mr P went to the common washroom, only to find all three sinks being used. He waited for a while but everyone seemed to be taking their own time. Cover Photo by Pankaj Tottada Not intending to be too late, Mr P smelt himself before starting to walk to the canteen. He felt that neither did he need a shower for that day nor a notebook for his class. The last time he wrote notes was two semesters ago. It was the last time he even tried to pay attention in order to achieve something in his life.

  • The Lonely Heart’s Stupid Song

    The mist of mind clouds me, As I see you glee, Under the sparkling moonlight, Beside the seashore and thicket of this night, My heart retreats to your place, Cover Photo by Pankaj Tottada Like a hungry tiger with a tremendous pace, Oh! Please don’t veil your face, An epitome of vibrancy and grace… Below this gleam, your lips velvety red, A symmetrical vermilion seam on your forehead, You are my yin and yang; All this --- My heart sang, Because, the waves of your existence, Trilled my soul with a twang! Credits This contribution is written by Rohit Damaraju & photographed by Pankaj Tottada .

  • The Umbrella Walk

    I opened my umbrella along with my heart for her  A surprised look on her face immediately drained with the rain and she took a step inside the temple in which I pray  Thereby initiating the umbrella walk  Her voice was so enchanting

  • The Immortal Echo

    Don’t know what to do This time would come I never knew Why is the world so mean because Life was never how it seemed Ain’t what I expected Heartbroken, now I regret it The turn I took seemed so wrong This ain’t the place where I belong

  • My Life My Game

    I ask my life, why can’t I be Why still a clue out of the blue I can’t prowess so still a mess I am by me, can never be you Therefore, my life should just go through I don’t know much so don’t ask me much What my life has been, what it might be

  • Gerald Danby

    The early decades of the twentieth century were a politically active period for the Indian Subcontinent. The Indian National Congress, under the leadership of Mahatma Gandhi (Gandhiji), was gaining strength and public support. People were coming out against the British Government and the British people, especially the executive class in India. Bengal presidency was the most volatile region, being the first to be controlled by the British; it was simmering with great discontent and distrust. Gandhiji’s struggle against British suzerainty took great momentum after his successful protest against the British planters engaged in Indigo farming and production in Champaran, Bihar. Durbar Hall, Picture Credit: Tejkar Jha However, soon after the First World War, the Indigo industry slipped into a crisis due to the discovery and production of synthetic blue dyes in Germany, which was a detrimental blow to the indigo planters in British India. This led to a shift from indigo to sugarcane, and soon, north Bihar had at least 25 huge sugar factories. These factories, in addition to a large number of crushing mills, were producing raw sugar and jaggery. These mills and sugar factories were generally owned by zamindars and, to some extent, old British indigo planters. The Danbys As an aftermath of the post-Champaran movement and post-World War, British Indigo planters began to sell off their properties and return to their native place or migrate to African countries. Some of them stayed back to see if time would change for them. ​ In Hursinghpur, near Samastipur, there was an old “Danby” family [1] maintaining and running the sugar factory at Bowarrah [2]. This factory previously produced indigo, but now it was refitted with new machinery to produce sugar. It was supported by a huge farm and equally beautiful farmhouse or ‘Kothi’ [i]. The Danby family had migrated to India as late as 1901 in search of green pasture. But alas! They arrived when India was taking a firm stand to get independent. The distrust between the “subject” and “masters” was absolute. For an Indian, any man with white skin was an oppressor, and for any British, a native was not on par with them racially. ​ Gerald, along with his brother Edward and father, settled down at Bowarrah. Being of very pleasant personality and a very good polo player [3], they soon developed good relationships with the Darbhanga Raj family [ii]. Maharajakumar Kameshwar Singh [iii] and his younger brother Viseshwar Singh, popularly known as ‘Babuji’ were very fond of Gerald, though they were quite younger than Gerald. Both the brothers began visiting Bowarrah to play polo with the Danbys and vice versa. Gerald, being older and having come from England after completing his studies, soon began to change the outlook of both the brothers. On the one hand, Kameshwar learned about modern industrialization, the share market and modern farming from the Danbys, while Viseshwar took polo as a serious sport for himself. ​ The Darbhanga Raj had a big horse stud farm at Pusa, near Samastipur, and hence, horses required for the game were not a problem. Soon, the Darbhanga polo team began to be counted among the top teams in India. They won the prestigious Carmichael Cup at Kolkata many times. This led to the establishment of friendly terms with many big ruling chiefs of India as well as British Officers. The socialization through polo began to fetch good results for Darbhanga in other fields, too. The bond between Gerald and the princes grew stronger and stronger.   Picture Credit: Tejkar Jha By 1928, almost all the British planters had left Bihar. In July 1929, Maharaja Sir Rameshwar Singh left the world, and Kameshwar Singh succeeded him as Maharaja at the young age of 22 years. Soon, the Danbys, too, decided that the time in India was up for them. They sold off their factory and farm to Darbhanga Raj and came to Kolkata to board the ship to London. Both the brothers came to see them off. As the family took leave of the friends and was about to board the ship, the young Maharaja held Gerald's hands and looked into his eyes. Tears welled up, Kameshwar murmured, “Gerald, I need you. Darbhanga needs you”. The whole family boarded the ship; Gerald took his bag and returned with his Maharaja to Darbhanga. Till now, Gerald had limited exposure to Raj Darbhanga. The young Maharaja took him as his personal assistant in the head office. Soon, he found out that Darbhanga was the largest zamindari of Bihar and had a very bureaucratized setup of administration, but still, the revenue was not very good. The expense on charity was a bit too high, and so little fund was available for other development work. Both the friends discussed the plan thoroughly, and Gerald, now the Chief Manager of Raj Darbhanga, set out to conquer the sky for his Maharaja.   Gerald took over the mantle to develop the zamindari and freed the Young Maharaja from the zamindari duties so that he could dedicate himself to other important works such as politics, industrialization and investments in the world market. Gerald had a very good eye for good workers and managers. He appointed a circle manager [iv] in each of the 12 circles inherited. He introduced new land reform measures such as the “land rent remission scheme”, which was related to the productivity of the land and the tenant’s ability to pay. As a result, the tenantry began to look towards him as a fatherly figure. Productivity rose to make the peasants happy, and the sugar industry began to thrive and brought in more and more spendable funds. He began acquiring more and more land and soon had four new circles added to the 12 inherited ones, and all the circles became bigger and bigger. The boundaries of Raj Darbhanga spread across 2400 square miles. The Act of God In 1934, North Bihar suffered its most destructive earthquake. Raj Darbhanga was badly shaken. All the buildings, palaces, offices, hospitals, and schools were destroyed. Darbhanga town itself looked like it had been nuked. The Maharaja was at Calcutta. He rushed to Darbhanga and sat with his Chief Manager and other officers. He told them, “Look, one should take this as a challenge, a God-gifted challenge to make our Darbhanga more beautiful. Come on! Let’s start with a new zeal. Let us reconstruct our Darbhanga.” The Raj had a tough time negotiating with the government, and a new Darbhanga Development Authority was appointed. More than two and a half crore rupees were spared for the people of Darbhanga as help from the Raj for reconstruction. Danby and his handpicked men started working, and lo and behold! Picture Credit: Tejkar Jha In just one and a half years, a new Darbhanga emerged, so fine, so well planned that the Viceroy, Lord Willingdon and his wife came down to inspect and stay at Darbhanga for a couple of days. Every palace, temple, office quarter, road, lamp-post, dustbin alongside roads, and plantation of trees were personally supervised. In 1934, after the earthquake, Gandhiji gave a statement against the people of Bihar [4], for which he was opposed by the people with black flags wherever he went. On his visit to Bihar, he came to Darbhanga too [5]. It was the worst affected place, and hence, the government thought that the opposition to Gandhiji here would be worse. But the Maharaja asked his younger brother and Danby to personally receive Gandhiji and look after him. They sat beside Gandhiji while he spoke to the crowd. Not a single flag was raised nor a single slogan was shouted. Such was Danby’s rapport with the people. Managing the Darbhanga Raj was not a joke. He had to look after the zamindari, its revenue, administration, the complaints of the tenants, taxation, and relationship with the colonial government, as well as the political parties looking for more donations and personal benefits. In 1935-37, the peasants revolted at a few places in Bihar against the oppression by the zamindars. The local leaders of Congress tried to instigate the peasants under the Darbhanga Raj too. They almost succeeded, but due to personal handling of the situation by Danby, the issue subsided. He not only saw to it that the issue was nipped in the bud but also exposed the designs of local Congress leaders through his extensive interviews in the media and placement of facts with proofs. Darbhanga Raj saw no major revolt or violence. The Maharaja took up the issue with the Congress central leadership, and after a hectic negotiation with the government, a new Bihar Tenancy Act 1936 [6] was promulgated to bring relief to the tenants of other zamindars in Bihar. Picture Credit: Tejkar Jha Now was the time when new things could be experimented with. Maharaja asked Danby to introduce Cooperatives in the Villages and to give them seed money. Several agro-industries were set up and every department was modernized. Special attention was paid to the maintenance of the irrigation system, and never was the Raj a defaulter in tax payments. Huge investments in industrial ventures, mines, etc, across the globe started to bring in more and more money. Both the Maharaja and Danby planned to make Darbhanga a model state. But by 1946, it became clear that India would get independent in the next two years and that Congress would abolish/take over the zamindaris. Danby, after a long deliberation, presented a plan to the Maharaja. He said that the zamindari would be gone, and the Raj would not be able to support such a big army of staff. So, there should be gradual retrenchment. He asked himself to be removed as he was getting Rs 3500/- per month as salary and other perks, and he had not much of work other than management of Zamindari. Thus, he would be too expensive and of no use to the Raj. The Maharaja asked for some time to think on the issue and to wait until the zamindari was actually taken over by the government. In 1948, the state government brought in legislation to take over the zamindaris. Darbhanga filed a writ, and the government lost. The amendment to the new constitution was done, and the Right to Property was removed from the Fundamental Rights in 1951. The Raj again moved the court, and the government was about to lose the battle when a meeting was called at Darbhanga House Patna and Pt. Nehru [7] asked the Maharaja to give up for the sake of Democracy and was obliged. Now Danby pressed to be relieved. His entire family had shifted to England. The Maharaja would not let go of his friend. Danby was asked to look after the industries in Kolkata. So Danby was accorded a final farewell as Chief Manager and was sent to Kolkata. But Danby knew that he was not contributing his bit to the Raj but drawing much more. ​ One fine day, he flew off to England without telling anybody, even the Maharaja. The Maharaja, when he came to know about it, was very upset, very angry. Time passed. Things began to look up. Maharaja usually stayed in New Delhi now. In one of the social evenings, he came across Danby in 1953. Danby kept quiet; the Maharaja also did not wish him but made some very sarcastic remarks indirectly. After a few days, Danby wrote a letter to his Maharaja, an 8-page letter, at times called him “Kameshwar”, at times “My Maharaja”, and at times just “K”. Picture Credit: Tejkar Jha He wrote, ‘I had to go as I was just a huge burden on your exchequer’, ‘Do you remember the effect of just one word of yours on me? I had disembarked from the ship, taking my entire family to England. Do you think I could have ever been able to leave Darbhanga if I heard again that Darbhanga needs me.’ He went on to say, “K, my entire family was in England. If I stayed back now, I won’t be able to go back to them forever.” Danby writes, “My Maharaja, you and I took Raj Darbhanga to a place as high as this, achieving more than 25% average annual growth. And all because I never heeded to the impact of the people’s attitude. The natives never trusted me as I was a British, and my own countrymen did not trust me as I worked for a native King. I had only one thing to consider, and that was our friendship, the love and affection of Babuji. It will remain the same. I did not reply to your sarcastic comments just because you are my Maharaja, my friend and my Kameshwar.” The letter cleared the heart of the Maharaja. He met the family whenever he went to England and played host to them in India. But Danby never went back to Darbhanga. In 2010, his grandson Robert came to visit Darbhanga, and he saw the Danby's bungalow, the statue of Lord Ganesh put up by his grandmother and the Danby Road and the whole of Darbhanga. He said, “Till his last days Gerald would say ‘My Darbhanga’ and ‘My Maharaja’”, and tears would start flowing as words would become silent. Notes i. Kothi is a term used for the houses of Planters initially in the 17th and 18th centuries in Bihar. ​ ii. The family has the zamindari of Sarkar Tirhut. Sarkar Tirhut was known as Darbhanga as it was its capital. Sarkar Tirhut consisted of the revenue zone as a unit extending north of river Ganges upto the Tarai of Nepal iii. Maharajakumar was the term used for the person designated to succeed the Maharaja. ​iv. The entire zamindari was divided into small areas for the ease of administration and this was known as a ‘Circle’ ​References Bowarrah Reference   Danby Bowarrah Reference I Danby Bowarrah Reference II   Kindly refer to the reports in the newspapers of 1934 and the CID reports in the Bihar State Archives. Gandhi Darbhanga Visit Reference Papers of Dr Rajendra Prasad, compiled and edited by Dr Balmiki Singh, published in 14 volumes from Rajendra Smriti Trust. This is mentioned in the memoirs of Mazharul Haq, who was a very famous Congress leader from Bihar. Credits This contribution is written by Tejkar Jha , reviewed by Vaidurya Pratap Sahi , edited by Ahna Sahi .

  • కర్రి

    అపర్ణ రంగు మూలంగా ఎన్నో వివక్షలకు గురైంది. గుసగుసలు, వెక్కిరింపులు, “ఎలా తెల్లగా అవ్వాలి” అన్న ఉచిత సలహాలు, తక్కువ చేసి మాట్లాడే తోటి వారు, అన్నింటిని తాను సహించింది. “సమాజం ఇలాగే ఉంటుంది” అని సర్దుకుపోయింది. కానీ ఒక రోజు… పరులు మాత్రమే కాదు, తనకు అత్యంత చేరువైన వారు కూడా అదే దృష్టితో ఉన్నారని తెలిసినప్పుడు, అపర్ణ ఎలా స్పందించింది? ఆ సంఘటనని తను ఏ రకంగా స్వీకరించింది? श्रेय ఈ కథను R. S. చింతలపాటి రూపొందించారు, నిఖిలా కోట్నీ రచించారు, హసిత యెర్నాటి చిత్రీకరించారు మరియు కీర్తన ముగూడ వివరించారు.

  • హంతకులు

    కోమల్... జిజ్ఞాస కలిగిన ఓ డాక్టర్. హత్య చేసే మనషుల మనసులో దాగి ఉన్న నిజాన్ని తెలుసుకోవడానికి, అజయ్ అనే హంతకుడిని ఇంటర్వ్యూ చేస్తాడు. కానీ… ఆ సంభాషణలో బయటపడింది ఒక్కటే. మానవత్వం అనే నైతిక బుద్ధి… ఇద్దరిలోనూ లేదు. ఆ ప్రమాణంలో చూసుకుంటే… అజయ్ కన్నా కోమల్ మరింత హీన స్థితిలో ఉన్నాడు. ఊహించండి… అజయ్ చివరిగా హతమార్చింది ఒక చిన్నారిని, అలాంటి వాడు కూడా కోమల్ కన్నా మెరుగ్గా ఉంటే… అప్పుడు... కోమల్ ఎవరో? ఆయనలో దాగి ఉన్న చీకటి ఇంక ఎంత భయంకరమైనదో? పవిత్ర… న్యాయానికి ప్రతినిధిగా నిలిచే ఓ అధికారిణి. తన ఎదుట కూర్చున్నది మానవత్వాన్ని మరిచిపోయిన కిరాతకమైన డాక్టర్, కోమల్. ఆయన భయంకరమైన ప్రయోగాల వెనుక ఏదైనా అర్ధం దాగి ఉందేమో అని తెలుసుకోవాలనే యత్నంలో… ఆమె అడిగిన ప్రతి ప్రశ్న, ప్రతి సమాధానం… చీకటి లోకానికి తలుపు తెరిచినట్లయింది. చివరికి వెలుగులోకి వచ్చిన నిజం ఒక్కటే, డాక్టర్ కోమల్ లో ఎటువంటి వివేకం మిగలలేదు. ఇప్పుడు పవిత్ర ఎదుట నిలిచిన ప్రశ్న, అతనికి మరణశిక్ష విధించాలా? లేక జీవించి కూడా మృతుడిగా మార్చే జైలులో బంధించాలా? బృందం ఈ పనికి దర్శకత్వం ఆర్.ఎస్. చింతలపాటి , ఛాయాగ్రహణం: మనోహర్ కోవిరి , ఎడిటింగ్: నిఖిల కొట్నీ , డైలాగ్స్: మధులిక ఆచంట , నటించింది మీనాకుమారి కోనాడ , శ్రీకర్ అయ్యగారి & వికాస్ ఎలమంచిలి మరియు తరుణ్ చింతమ్ సంగీతం.

  • इत्तेफ़ाक

    उदित और लता की शादी को यूँ तो कई साल हो चुके हैं, पर समय के साथ लगाव एक सा नहीं रह जाता। आज उदित घर लौटते हुए ग्लानि से भरा लता से कुछ कहना चाहता है। उधर लता एक ऐसा सच उदित को बताने के इंतजार में बैठी है जो सब बदल सकता है। क्या मोड़ लेगा इन दोनों का रिश्ता? क्या उनकी किस्मत में रिश्ते का अंत है या ये मोड़ उनकी परीक्षा है? श्रेय इस कहानी की कथानक  आर. एस. चिंतलपाटि  द्वारा निर्मित है,  निधि पांडे  द्वारा लिखी गयी,  मधूलिका आचंटा  द्वारा संपादित,  श्रुति किशोर साही  द्वारा आवाज अभिनय, और छायाचित्रण  मनोहर कोविर  द्वारा किया गया है।

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